Evaluation

For this module I knew I wanted to link back to the same area as in my dissertation, and professional frameworks module. I wanted to do this, as beauty and make up is what I am currently most interested in. I wanted to find another take on the idea of beauty, and the role and relationship it has with women. I wanted to target my own age group as my audience, and get insight into what they think about the beauty world.

I had a few ideas in mind to start with, but none would have enough to create a full project with. They were more things I was interested in, rather than something that had substance. I started to research into feminism and what beauty viewed beauty as. I looked at the roles of women, not just in the beauty sense, but also in the role of women in the home. This then moved on to the idea of self. I have never been comfortable with self-portraiture, or anything very personal. I was able to capture a shoot of myself putting on make up in front of my own mirror at home. Being at home and in my own environment made it more confortable and easy to do. I researched into a few artists; my favorite was Laurel Nakadate, who captured herself crying for 365 days. She was brave, and her images were raw and personal, something I couldn’t do. And even though I ultimately felt ok about the images, I wouldn’t feel happy enough to display images of myself in the exhibition.

As my work developed, I looked at the more un-beautiful side of beauty. This is where my waste product shoots came into the project. I liked the idea of making something that is basically used rubbish, into something more pleasing to the eye. I found myself enjoying looking deeper into things, and the meaning behind it. It further developed after a tutorial, when I was asked how I felt about make up. I knew how I felt, and wanted to know if I was similar to other girls my age. Taking out the research was great for my developing theme. I learnt that girls my age really do rely on make up to feel better, with the word ‘prettier’ being used a lot. This is how I decided on the name for my project. It summed up the project, showing that all these things I have shown, ultimately make someone feel prettier some how.

I moved onto to shooting more in the studio, with models and make up artists. I used them to display both, the need to look your best all the time, and the idea of transformation, the main theme in my work. My research into Richard Brilliants book Portraiture, showed me things about the subject I hadn’t thought about before. Things like the idea that self-portraiture artists may not always depict themselves how they actually look, they will modify their image to how they wish to be seen.

The series contains 10 white-framed images, showing the process and transformation of the young woman using the make up. As well as two mirrors to allow the audience to look at them selves, and ask how does the way they look, make them feel? The images are shown together in a series but can also show the concept individually. I wanted the images to be strong, and powerful enough to stand-alone. The strong lines made on the face, go back to my research into Native American war paint, ad the idea of protection. 


Over all I am happy with the outcomes of this project. I feel I gathered enough research to help me form an opinion, and I was able to get across my ideas. I want people to question the images, not to look at them and know what is happening straight away. I would like to add to the make up looks in this project in the future, and further research the relationship women have with make up in general.

Short Statement

Prettier.

The ‘Prettier’ series is a series created by Becky Hughes. ‘Prettier’ shows how make up can transform a person. Can you ask yourself if you would go to these lengths, and if so, would it become an everyday thing to feel prettier? Does make up make you feel beautiful? The images give reference to Native American War paint ritual, and how this has evolved into creating a make up look. The series of images are a placed in a time line; they are showing the process of contouring taking place. We can see the application of different colour and shades of product being smoothed onto the face. ‘Prettier’ looks at the idea of make up, creating inner confidence about a person’s appearance. The make up look in the series is dramatic, taking reference from more dramatic measures to transform someone’s appearance, through surgery procedures and techniques.


The series contains 10 images, showing the process and transformation of the young woman using the make up. As well as two mirrors to allow the audience to look at them selves, and ask how does the way they look, make them feel? The images are shown together in a series but can also show the concept individually.

Long Statement

Prettier.

By Women and men, make up artists, teenage girls at home in front of their mirrors, and at beauty counters around the world, make up is being applied. We all use make up in different ways, to cover, conceal, to enhance our looks. Some use it to hide something, or distract from something else. But for most, wearing make up makes a person feel better inside. If that’s a boost of confidence, feeling more awake, or making a girl feel prettier than she did before. Being pretty is defined as ‘attractive in a delicate way without being truly beautiful’, but does make up, make you beautiful?

‘Prettier’ shows how make up can transform a person, does the audience look at the work, and appreciate the process the model and make up artist is doing. Can you ask yourself if you would do this, and if so, would it become an everyday thing? Does make up make you feel beautiful? The images give reference to Native American War paint ritual, and how this has evolved into creating a make up look. Contouring allows the person to create highlight and shadow, and shaping the face entirely new.

The series of images are a placed in a time line; they are showing the process of contouring taking place. We can see the application of different colour and shades of product being smoothed onto the face. The lines are specific and are used to enhance. Artist Phillip Toledano, talks about how he feels about beauty in his work, A New Kind Of Beauty. He says, ‘I’m interested in what we define as beauty, when we choose to create it ourselves’[1]. This allowed me to think about how we all create our own idea of beauty when we apply make up. The model in this work was not given any directions about where to place the product. I wanted to see how she felt she would look best in this way. Over all its about how she feels is best to apply this, and get the best look for her. Through out the series of images, the model looked to be growing in confidence, as more make up was applied. Her body language changed, lifting her head and facing the camera more. Even though she admitted to not applying this much make up on a daily basis, she looked as though she felt more confident as time went on, and showed through her actions and they way she presented herself.

Technology and science has allowed people in the current age to create a look they want, using more permanent measures. Each person, who has chosen to go through a surgical procedure, has been through a transformation. They have transformed from how they were born, to how they look now. Whether that is what they aimed for, we don't know. They all made the choice to permanently change their appearance, not just their faces. Many say they have plastic surgery to help their confident, and make them happier about their appearance. But some may argue that natural beauty is always better. ‘Prettier’ looks at less drastic transformations, but still looks at the same concepts. That wearing make up, is masking the true natural beauty. Are we always completely happy with the way we look, even after applying a make up bag of products to our faces?

‘Prettier’ has made me think about my own feelings towards make up, and beauty. I have always liked to think I was confident in my own skin, but still found it difficult to leave the house bare faced. I researched into girls of my own age and found that I wasn’t alone. I was able to gather 10 short statements from girls, enabling me to get insight into how make up affects girls everyday. One statement said ‘It gives me more confidence when I go out even when I'm just nipping to the shop, also makes me feel more normal and more prettier as I feel/think I look rough and run down without it’. The statements showed me that girls aren’t very confident without make up in this generation, and they feel the need to take on the transformation daily to feel prettier.

In Richard Brilliants book, Portraiture, he talks about how in a portrait of ourselves, we would always want to be seen at our best, whether that is true to life or not. He says, ‘A confessional mode of self-presentation, tinged however with pride, confident that their personal reflections would reach beyond themselves to an audience’[2].  We would all like to be seen at our best, and many girls feel that applying make up, can achieve this.

My final 10 images show the transformation make up can achieve. The images can be displayed together as a series, or stand-alone. I want people to think about their own confidence, and if something external can boost that feeling. Do we all need to be the natural beauties, or do we just want to be prettier?






[1] Phillip Toledano. (2010). A New Kind Of Beauty. Available: http://www.mrtoledano.com/a-new-kind-of-beauty
[2] Richard Brillant . (1991). Here's Looking At You. In: Portraiture. London: Reaction Books . 145.

Exhibition Layout

I wanted to lie out all my images, in the frames to decide how they would be laid out on the walls of the exhibition. I chose to put them into a rectangular shape, as a continuous series of images. I want them to be seen as a series, from start to finish, and I think this layout works well. It is obvious to see the transformation from the first image, to the last. The face has been transformed, and so has the model. It can be seen as the images go on, she looks more confident and lifts her chin up.




But I felt that something was missing from the layout. I wanted something to go in the middle of the grid. I thought about adding more images, and I decided to look into putting a mirror to fill the gap. I wanted the mirror to match the rest of the frames, but IKEA didn't make mirrors with the exact frame and size. So I looked online to find somewhere I could get a custom sized piece of mirror to fit inside two extra frames. I found Pemberton Glass, that is quite local to me. They were able to cut me two 18x13 cm sized pieces of mirrored glass to replace the glass in the frames.











I was able to slot the pieces of mirror in the frames, and make the grid complete. I want the mirror to be used by the viewer something to look into and reflect about their own feelings. I wanted a mirror to be somewhere, but as we were restricted for space, and I had so many frames, a larger frame would have been too much. I really like my final layout, and I am pleased I was able to find the mirrors to fit in with the rest of my work. I hope I will be able to put this up at the exhibition, with enough space.